Post by cofi on Apr 15, 2008 15:52:15 GMT
Albert Collins (October 1, 1932 – November 24, 1993) was a blues guitarist, singer and musician. He had many nicknames from fans, such as "The Ice Man" and "The Master of the Telecaster".
Career
Born in Leona, Texas, Collins was a distant relative of Lightnin' Hopkins and grew up learning about music and playing guitar. Throughout the 1940s and 1950s, he absorbed the blues sounds and styles from Texas, Mississippi and Chicago. His style would soon envelop these sounds.
He formed his first band in 1952 and two years later was the headliner at several blues clubs in Houston, Texas. By the late 1950s, he chose the Fender Telecaster as his equipment and developed a unique sound featuring minor tunings, sustained notes and an "attack" fingerstyle. He also frequently used a capo on his guitar, particularly on the 5th, 7th, and 9th frets. He primarily favored an "open F-minor" tuning (low to high: F-C-F-Ab-C-F). Collins began recording in 1960 and released singles, many instrumentals such as "Frosty". In the spring of 1965 he moved to Kansas City and made a name for himself.
Many of Kansas City's recording studios had closed by the mid 1960s. Unable to record, Collins moved to California in 1967. He settled in San Francisco and played many of the venues popular with the counter-culture. After playing a gig with Canned Heat, members of this band introduced him to Liberty Records. Collins was signed and released his first LP album on Imperial Records, a sister label, in 1968.
Collins remained in California for another five years, and was popular on double-billed shows at the Fillmore and the Winterland. Collins moved back to Texas in 1973 and formed a new band. He was signed to Alligator Records in 1978 and recorded and released Ice Pickin'. He would record seven more albums with the label, before being signed to Pointblank Records in 1990.
Throughout the 1980s and early 1990s, Collins toured the United States, Canada, Europe and Japan. He was becoming a popular blues musician and was an influence for Coco Montoya, Robert Cray, Gary Moore, Debbie Davies, Stevie Ray Vaughan, Jonny Lang, Susan Tedeschi, Kenny Wayne Shepherd, John Mayer and Frank Zappa.
His genius was acknowledged by the music world in 1983, when he won the W. C. Handy Award for his album Don't Lose Your Cool, which won the award for best blues album of the year. In 1985, he shared a Grammy for the album Showdown!, which he recorded with Robert Cray and Johnny Copeland. In 1987, John Zorn enlisted him to play lead guitar in a suite he'd composed especially for him, entitled "Two-Lane Highway," on Zorn's album Spillane.
After falling ill at a show in Switzerland in late July, 1993, he was diagnosed in mid August with lung cancer which had metastasized to his liver, with an expected survival time of four months. Parts of his last album, Live '92/'93, were recorded at shows that September; he died shortly afterwards, in November.
Albert will be remembered not only for the quantity of quality blues music that he put out throughout his career that has inspired so many other blues musicians, but also for his legendary live performances, where he would frequently come down from the stage and mingle with the audience whilst still playing. A good example of his strong stage presence can be seen in Adventures in Babysitting. Another instance of this, at Antones, involved Albert leaving the building, still plugged in and playing. A few minutes later when he was back on stage, a pizza guy came in and gave him the pizza he had just ordered when he left the building - he had gone to the take away opposite and ordered while he was still playing. Albert's music still continues to inspire guitarists today. Tom Murphy writes: We backed Collins at a downtown Market St. San Francisco club (R. Cray band). Just as he walked outside with his 100-foot guitar cord a city bus pulled up, so Albert got on the bus! Still playing of course. From the shocked and bewildered look on the faces of the people on the bus, those who followed Albert outside about fell down. Meanwhile on stage Richard Cousins and I would hold down the tunes trying to ignore this blazing 110 db plus guitar solo since Collins would hear us on a delay
Career
Born in Leona, Texas, Collins was a distant relative of Lightnin' Hopkins and grew up learning about music and playing guitar. Throughout the 1940s and 1950s, he absorbed the blues sounds and styles from Texas, Mississippi and Chicago. His style would soon envelop these sounds.
He formed his first band in 1952 and two years later was the headliner at several blues clubs in Houston, Texas. By the late 1950s, he chose the Fender Telecaster as his equipment and developed a unique sound featuring minor tunings, sustained notes and an "attack" fingerstyle. He also frequently used a capo on his guitar, particularly on the 5th, 7th, and 9th frets. He primarily favored an "open F-minor" tuning (low to high: F-C-F-Ab-C-F). Collins began recording in 1960 and released singles, many instrumentals such as "Frosty". In the spring of 1965 he moved to Kansas City and made a name for himself.
Many of Kansas City's recording studios had closed by the mid 1960s. Unable to record, Collins moved to California in 1967. He settled in San Francisco and played many of the venues popular with the counter-culture. After playing a gig with Canned Heat, members of this band introduced him to Liberty Records. Collins was signed and released his first LP album on Imperial Records, a sister label, in 1968.
Collins remained in California for another five years, and was popular on double-billed shows at the Fillmore and the Winterland. Collins moved back to Texas in 1973 and formed a new band. He was signed to Alligator Records in 1978 and recorded and released Ice Pickin'. He would record seven more albums with the label, before being signed to Pointblank Records in 1990.
Throughout the 1980s and early 1990s, Collins toured the United States, Canada, Europe and Japan. He was becoming a popular blues musician and was an influence for Coco Montoya, Robert Cray, Gary Moore, Debbie Davies, Stevie Ray Vaughan, Jonny Lang, Susan Tedeschi, Kenny Wayne Shepherd, John Mayer and Frank Zappa.
His genius was acknowledged by the music world in 1983, when he won the W. C. Handy Award for his album Don't Lose Your Cool, which won the award for best blues album of the year. In 1985, he shared a Grammy for the album Showdown!, which he recorded with Robert Cray and Johnny Copeland. In 1987, John Zorn enlisted him to play lead guitar in a suite he'd composed especially for him, entitled "Two-Lane Highway," on Zorn's album Spillane.
After falling ill at a show in Switzerland in late July, 1993, he was diagnosed in mid August with lung cancer which had metastasized to his liver, with an expected survival time of four months. Parts of his last album, Live '92/'93, were recorded at shows that September; he died shortly afterwards, in November.
Albert will be remembered not only for the quantity of quality blues music that he put out throughout his career that has inspired so many other blues musicians, but also for his legendary live performances, where he would frequently come down from the stage and mingle with the audience whilst still playing. A good example of his strong stage presence can be seen in Adventures in Babysitting. Another instance of this, at Antones, involved Albert leaving the building, still plugged in and playing. A few minutes later when he was back on stage, a pizza guy came in and gave him the pizza he had just ordered when he left the building - he had gone to the take away opposite and ordered while he was still playing. Albert's music still continues to inspire guitarists today. Tom Murphy writes: We backed Collins at a downtown Market St. San Francisco club (R. Cray band). Just as he walked outside with his 100-foot guitar cord a city bus pulled up, so Albert got on the bus! Still playing of course. From the shocked and bewildered look on the faces of the people on the bus, those who followed Albert outside about fell down. Meanwhile on stage Richard Cousins and I would hold down the tunes trying to ignore this blazing 110 db plus guitar solo since Collins would hear us on a delay
